New York Times (Magazine)
By Marcela Valedes
August 31, 2015
Shortly
after Donald Trump’s bodyguard forcibly removed him from a press
conference in Dubuque, Iowa, the Univision news anchor Jorge Ramos
declared that the ejection
had caught him by surprise. As he told George Stephanopoulos on “Good
Morning America,” “Never in my life, and I’ve been a journalist more
than 30 years, have I been thrown out of a press conference.”
Technically, Ramos’s statement is true. But anyone who
has read his books knows that he has tangled with bodyguards before,
even if they weren’t at a press conference.
In
his 2002 memoir, “No Borders: A Journalist’s Search for Home,” Ramos
recounts that in 1991 he was elbowed in the stomach and knocked to the
ground by a bodyguard after
accosting a politician, peppering him with questions and making an
uncomfortable declaration. This time, the politician was President Fidel
Castro of Cuba, and what Ramos said was, “Many people believe that this
is the time for you to call for an election.”
At the last word, the bodyguard’s elbow struck.
Getting
face to face with Castro had taken some creativity. Ramos’s formal
requests for an interview were met with silence, so he and a cameraman
ambushed Castro outside
a hotel room during the first meeting of the Ibero-American Summit in
Guadalajara, Mexico. As Ramos tumbled to the ground, his microphone
sailing through the air, he recalls, “Castro said nothing, he just kept
walking, not even turning around to look at me.”
In
the United States’ English-language media, it has become routine to
describe Ramos as a kind of Mexican-American Walter Cronkite. Yet in his
books, the person he presents
as his North Star is not Cronkite but Oriana Fallaci, the fierce
Italian journalist who faced off with Yasir Arafat, Muammar el-Qaddafi
and Ayatollah Khomeini. (Christopher Hitchens was another of her
outspoken admirers.) Henry Kissinger once confessed that
his interview with Fallaci — in which he called himself a “cowboy” and
pleaded helplessly for her to stop asking questions about the Vietnam
War — was “the single most disastrous conversation I have ever had with
any member of the press.”
Reading
Fallaci’s 1976 book, “Interview With History,” was a defining moment
for Ramos. In the prologue to his 2006 book of interviews. “Detrás de la
mascara” — “Behind
the Mask” — he writes that he became a journalist “with Fallaci’s
questions encrusted in my mind.” (The fact that Fallaci spent her final
years writing jeremiads against immigration in Europe lends some oddity
to Ramos’s admiration.) Ramos’s clash with Trump,
and even his May confrontation with the U.S. House speaker John
Boehner, look tame compared with his Fallacian 1996 interview with the
sitting Colombian president, Ernesto Samper, in which Ramos asked Samper
if he had knowingly received $6 million from the
Cali drug cartel for his electoral campaign.
The
morning after the interview, Ramos received two death threats and was
rushed back to the United States with his cameraman and his producer.
Two years later, when Univision
tried to return to Colombia to cover the country’s presidential
elections, floral arrangements arrived at the company’s offices days
before the reporting team’s planned departure, with a note naming all
the journalists scheduled for the journey, including
Ramos. Univision canceled the trip.
When
Ramos flew to Venezuela to interview President Hugo Chávez in 2000,
Chavez insisted that their conversation be held outside on a cement
basketball court, surrounded
by a crowd of bodyguards, government ministers and dozens of the
president’s supporters. “Every time I asked [Chávez] something he didn’t
like,” Ramos writes, “the people would boo, and when the president
responded, his words were followed by applause.”
A
few months later, Ramos asked the former Mexican president Carlos
Salinas de Gortari if he had ordered the assassination of his would-be
successor, Luis Donaldo Colosio,
in 1994, a death that traumatized Latin American politics for years.
Salinas’s response, transcribed in Ramos’s 2001 book, “A la caza del
león” (“Hunting for the Lion”), begins with this parry: “Luis Donaldo
Colosio was my dear friend.”
Dissatisfied
with the absence of an explicit no, Ramos renews his attack: “I want to
ask again: You had nothing to do with Colosio’s assassination?”
“I was among those who lost the most with Colosio’s death,” Salinas replies.
It
is precisely this pattern of confrontation — not his poker-faced
anchoring of the nightly news with his colleague Maria Elena Salinas on
“Noticiero Univision” — that
has won Ramos the trust of so many Hispanics. They know that in many
countries south of the United States, direct questions can provoke not
simply a loss of access but also a loss of life. Ramos’s aggressive
reporting on Latin America is possible because he
is based in Miami. “The United States is my journalistic trench,” he
has written, “and I am extremely grateful.” It’s very unlikely that he
expected to contend with bodyguards here.
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